Logic pro x freeze track stack free download.Apple Logic Pro X

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Коммандер не отпускал. Она попробовала закричать, но голос ей не повиновался. Ей хотелось убежать, но сильные руки тянули ее. – Я люблю тебя, – шептал коммандер.  – Я любил тебя .

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Logic pro x freeze track stack free download

 

Subtracks can include any track type: audio, software instrument including layered and multi-output software instruments , external MIDI instrument, or aux tracks.

Folder stacks can also include summing stacks as subtracks. Folder stacks let you combine multiple tracks and control them as one unit, without changing the audio routing of the individual subtracks.

When you create a folder stack, the channel strip assigned to the main track is called the stack master. Using the main track or the stack master channel strip, you can mute, solo, and adjust the volume level for the folder stack.

This is similar to the way a VCA master fader functions on a hardware mixing console. Individual subtracks in a folder stack can have Smart Controls, but the main track has no Smart Controls. There are no patches for the main track of a folder stack, and no patch can be saved when the main track is selected. There are no regions on the main track of a folder stack, only on its subtracks. When the folder stack is closed, the main track displays an overview of the combined contents of all subtracks.

When you mute a folder stack using the Mute button on the main track or stack master channel strip , the mute or solo state of individual subtracks is preserved, and becomes active again when the main track is unmuted. Summing stacks let you combine multiple tracks and route their output to an audio subgroup. When you create a summing stack, the outputs from the subtracks are routed to a bus. The destination aux of the bus is assigned to the main track. When the main track is selected, you can mute, solo, and adjust volume and send levels for the summing stack, and add and edit plug-ins , affecting the sound of all the subtracks in the summing stack.

This is similar to the way an audio group works. If a summing stack contains software instrument tracks as subtracks, you can record and play MIDI regions on the main track. MIDI events on the main track are played by all the software instrument subtracks in the summing stack.

You can also record and play MIDI regions on individual software instrument subtracks. When the summing stack is closed, the main track displays an overview of the combined contents of all subtracks. When the main track of a summing stack is selected, you can choose a different patch for the summing stack, and create your own patches. The track header for the main track features a disclosure arrow that lets you show or hide the subtracks.

When you close the stack, only the main track appears in the Tracks area. Subtracks can include any track type: audio, software instrument including layered and multi-output software instruments , external MIDI instrument, or aux tracks. Folder stacks can also include summing stacks as subtracks. Folder stacks let you combine multiple tracks and control them as one unit, without changing the audio routing of the individual subtracks.

When you create a folder stack, the channel strip assigned to the main track is called the stack master , which functions as a VCA master fader. Using the main track or the stack master channel strip, you can mute, solo, and adjust the volume level for the folder stack. Individual subtracks in a folder stack can have Smart Controls, but the main track has no Smart Controls.

There are no patches for the main track of a folder stack, and no patch can be saved when the main track is selected. There are no regions on the main track of a folder stack, only on its subtracks. When the folder stack is closed, the main track displays an overview of the combined contents of all subtracks. When you mute a folder stack using the Mute button on the main track or stack master channel strip , the mute or solo state of individual subtracks is preserved, and becomes active again when the main track is unmuted.

Summing stacks let you combine multiple tracks and route their output to an audio subgroup. When you create a summing stack, the outputs from the subtracks are routed to a bus. The destination aux of the bus is assigned to the main track, which functions as an audio subgroup.

When the main track is selected, you can mute, solo, and adjust volume and send levels for the summing stack, and add and edit plug-ins , affecting the sound of all the subtracks in the summing stack.

If a summing stack contains software instrument tracks as subtracks, you can record and play MIDI regions on the main track. MIDI events on the main track are played by all the software instrument subtracks in the summing stack. You can also record and play MIDI regions on individual software instrument subtracks. When the summing stack is closed, the main track displays an overview of the combined contents of all subtracks.

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Post navigation – Logic pro x freeze track stack free download

 

When the main track is selected, you can mute, solo, and adjust volume and send levels for the summing stack, and add and edit plug-ins , affecting the sound of all the subtracks in the summing stack.

This is similar to the way an audio group works. If a summing stack contains software instrument tracks as subtracks, you can record and play MIDI regions on the main track. MIDI events on the main track are played by all the software instrument subtracks in the summing stack.

You can also record and play MIDI regions on individual software instrument subtracks. When the summing stack is closed, the main track displays an overview of the combined contents of all subtracks. When the main track of a summing stack is selected, you can choose a different patch for the summing stack, and create your own patches. Patches for a summing stack can include the main track and all subtracks, along with their channel strip and plug-in settings.

Logic Pro includes a set of factory patches designed for use with summing stacks. The main track of a summing stack, as well as its subtracks, can have Smart Controls. Clicking a handy info button opens a pop-up that gives you the specification of the drum, so you can confirm that the drum you’re seeing on screen really does have a Black and Gold Duco finish.

Some advanced controls are also available if you click the disclosure triangle at the bottom of the window. Here, you can adjust the volume of the percussion elements in the kit as well as the sticks, presumably for rim clicks and also set the input mapping, since it’s possible to play Drum Kit Designer as you would any other virtual instrument.

The default is GM General MIDI , but you can also choose a similar GM mode that allows the modulation wheel to control how open the hi-hat is, and a V-Drum mode that enables you to trigger the instrument from one of Roland’s electric kits. This latter mode will certainly be welcomed by anyone who’s ever had to mess around with V-Drum mapping.

By default, Drum Kit Designer routes the audio from the drum kit to a single stereo output, which is only so useful when mixing more serious productions. So, for those who really want to have full control over the drum sound, Apple have also included so-called Producer Kit versions, where each drum in the kit has its own dedicated output.

Switching between standard and Producer kits is easy: open the Library with the Drummer track selected and, in the Drum Kit category, you’ll notice a folder at the bottom labelled Producer Kits. Now simply select the appropriate kit notice that the names are prefixed with the plus sign and you’re ready to go.

What’s really great about the multi-channel kits is that they make use of the Track Stacks feature. And what’s useful about this is that the Producer Kits come pre-loaded with the tracks for all the necessary splits, meaning that you don’t have to worry about setting this up yourself. Simply open the Stack and you’ll see Channel Strips for all the drums with the current mix, where an engineer has already set up initial levels, pans and various EQs and compressors for you.

If you open Drum Kit Designer with a Producer Kit loaded, you’ll notice there are more alternate drums to choose from, and four additional settings that can be configured for each drum.

Leak sets whether the sound of that drum is heard in the mics for other drums in the kit, Overheads sets whether the drum is heard in the overhead microphone, and Room lets you toggle the room emulations, as well as choosing between one of two rooms. It’s clear that Apple have put a tremendous amount of effort into Drummer and Drum Kit Designer, and in terms of integration, ease of use, and the quality of the results, it’s quite possibly the best virtual drummer yet.

Smart Controls enable you to create a simple interface to control any parameter for any plug-in on a given Channel Strip. Here, I’ve edited one of the presets by making one of the knobs a Note Length Smart Control that adjusts both the Note Length parameter in the Arpeggiator MIDI plug-in and the cutoff frequency in the ES2 synth, the latter inverted so that the filter opens up as the notes get shorter.

One of the things I’ve always liked about Logic is the way in which Logic’s instrument plug-ins tended not to have built-in effects.

It made sense to me to have a fairly dry instrument plug-in to generate sounds, and then to use the available insert plug-ins to add the requisite effects. However, this meant that every time you wanted to recall a certain sound, you needed to manually load up all the plug-ins and choose the requisite presets. This problem was solved in Logic Pro 7 by Channel Strip presets, but a second disadvantage remained: you had to open and interrogate multiple plug-in windows to adjust what was, in essence, a single sound.

Logic Pro X aims to solve this latter problem with a new feature called Smart Controls, which allow miniature user interfaces to be created that can control any parameter used in any plug-in on a given Channel Strip. This means if you had a Channel Strip featuring, say, a synth sound in EXS24 and a Tape Delay plug-in, you could create a Smart Controls layout that had a knob to control the cutoff frequency in EXS24, and another to adjust the Wet level of the delay.

Now, instead of opening two plug-in windows to adjust these parameters, you can do it from a single Smart Controls layout. Every patch in Logic Pro X’s Library includes pre-configured Smart Control setups, which you can see by opening the Smart Controls area in the main window or in a dedicated Smart Controls window, and it’s easy to adjust these or create your own.

You can change the parameter to which the Smart Control is mapped by clicking the mapping entry and selecting another parameter from a hierarchical pop-up menu that shows all plug-ins and parameters available. Alternatively, you can enable the Learn button, open the plug-in, click the parameter you want to control, and then disable the Learn button. A particularly nice touch is that you can set minimum and maximum values for mapping, so the Smart Control doesn’t have to control the full range of the parameter, and it’s also possible to invert the value, as well as scale it using parameter mapping graphs.

Another nice touch is that it’s possible for a Smart Control to be mapped to multiple parameters from different plug-ins. Simply click the first mapping entry and choose Add Mapping from the pop-up menu, and another mapping will be added, compete with its own independent settings. This makes for some interesting possibilities, since, in the previous example, you could have a single Smart Control that adjusts EXS24’s cutoff frequency and the delay’s wetness simultaneously.

Once clicked, the Arpeggiator is added and enabled, and a pop-up menu appears next to the button, enabling you to change both Arpeggiator settings and presets from the Smart Controls area. Smart Controls can also be useful when used in conjunction with Summing Stacks, because while each sub-track can have its own Smart Controls layout, so can the main track, with the ability to access all the parameters of all the sub-tracks.

Overall, Smart Controls are a great way to add a front end to patches you create in Logic, and possibly the only aspect that I found slightly limiting was being restricted to only work with the layouts provided by the program.

For example, some layouts contain switches and some don’t, and some layouts contain more controls than you might need, and some too few. Having more user control over the appearance and controls used in a layout would be really helpful. Setting it up is easy: simply make sure both the iPad and Mac are connected to the same network, run Logic, and then run Logic Remote. A list of available Macs running Logic will appear in Logic Remote, and, when you select one, Logic will ask you to confirm the connection.

After that, both Logic and Logic Remote will remember this marriage, and re-establish it automatically whenever both sides are available. Logic Remote consists of a number of views that allow you to interact with Logic in different ways, drawing heavily on Apple’s experience in designing GarageBand for iOS. Always visible at the top of the screen is a miniature Control bar where you’ll find various global controls.

There’s a button that lets you select different views, as well as transport controls, an LCD that shows the current time in beats and the currently selected Track, Cycle and Metronome buttons, and a Settings button. The LCD also has left and right buttons on either side for selecting next and previous tracks in the Track List, and tapping it toggles the display of a ruler.

You can use the ruler to scrub time, and if Cycle Mode is active, you can even adjust the Cycle Region. Logic Remote lets you control Logic’s mixer from your iPad, and even includes a meter bridge. The Mixer view works pretty much as you might expect. In the upper part of each Channel Strip, there are four buttons for setting the automation mode, record enable if available for that track , and mute and solo. Below these buttons, there’s a choice of what to see: volume and pan controls which is the default , just the first four send knobs, or simply a volume fader if you want to have a longer fader throw.

The Settings button on the Control bar provides access to some useful commands, such as undo and redo, as well as commands for creating new tracks. Once you’ve done that, the new track gets selected and you can tap the Control bar’s Library button to access the library of available instrument patches and pick one to assign to that track. Next, you can switch to the Smart Controls view, which shows the same Smart Controls editor as you would see in Logic, as well as a controller to actually play the sound.

By default, Logic Remote selects the most appropriate controller for the instrument, so you’ll see a keyboard for a piano patch, guitar strings for a guitar patch, and drum pads for a drum patch, although you can override this selection in the Views pop-up if you wish.

A related view is the Chord Strips view, which allows you to play the current instrument via the Chord Strips you may know and love from GarageBand. If you have a drum instrument selected, the Drum Pads view will be available instead, showing more pads than are available on the Smart Controls view.

Logic Remote makes it easier to set up and access key commands Logic Remote’s Key Commands view makes it possible to trigger key commands from your iPad. Here you can see the configuration pop-out that makes it possible to assign your own key commands and colours. Tapping in an empty key command opens a pop-up that lets you select a key command from all of those available in Logic. The list is organised into categories in exactly the same way as Logic’s Key Commands window, and can also find the key command with a handy search field at the top of the pop-up.

To reconfigure an existing key command, change its colour, or remove it, tap with two fingers on the key command to reopen the pop-up. The Key Commands view is great, although it would be even greater if you could see more key commands on a single page. Adding just one extra row, to have 24 plus six commands visible at once, wouldn’t make the buttons that much smaller. And wouldn’t it be nice if the six key commands along the bottom could be optionally persistent across multiple views, much like the way the Control bar is always visible along the top?

The final view provided by Logic Remote is a very simple idea that’s also rather clever: Smart Help. Taking the idea of the main window’s Quick Help option one step further, if you hover the mouse over a user interface while Logic Remote is connected, Smart Help will open the corresponding section in the manual explaining that particular feature. So, if the mouse is over a Record Enable button, Smart Help will automatically show the ‘Enable tracks for recording’ section in the manual.

And if you want to read something in more detail without Smart Help jumping to another section, the Library button becomes a handy Lock button that can disable the link between Smart Help and Logic. Convenient doesn’t even begin to explain it, although it seems a shame you can’t look through the Smart Help manual when offline and not connected to Logic. Logic Remote is probably the best remote-control app for Logic, thanks to a level of integration that simply wouldn’t be possible with a third-party solution.

There’s clearly a great deal of potential for where Apple could take this app in the future, but even so, for a 1. There is no doubt that Apple have developed some very sophisticated features in Logic Pro X. Drummer, Track Stacks, Flex Pitch, Smart Controls and Logic Remote are, for the most part, brilliantly implemented and serve their purpose well, along with other bonuses such as MIDI plug-ins and being able to have Alternatives within a project.

But many of the big new features appeal to very different sets of users. Unless you need a drum kit, Drummer isn’t going to be that useful; and while that sounds obvious, the reality is that there are thousands of professional Logic users who will never need a virtual drummer, no matter how good.

Naturally this tempo would also apply to all other recordings, drummers and loops. Complicated rhythms proved the most unreliable, although we did get them in time with some fiddling. Premium WordPress Themes Download. Download Nulled WordPress Themes. Free Download WordPress Themes. Related Articles. Leave a Reply Cancel reply Your email address will not be published. One of the advantages offered by these models is that whereas the original hardware had various stepped settings, the digital versions allow you the option to also sweep through the intervening frequencies, creating new sonic possibilities.

Each also features a drive control in the Output section and the ability to turn off the EQ stages. This means you can use the natural characteristics of each unit to colour the sound without needing to engage the EQ itself. Step FX combines distortion, modulation, reverb and delay effects with three step modulators, all of which can result in some serious sonic mangling.

By selectively engaging each step modulator you can alter the pan, gate and filter frequency, or engage all of the units for some fascinating polyrhythmic anarchy. The clue is definitely in the name with this effect, as the results you can get from it when applied to guitars, bass or drums are indeed phat! You can move the positioning of each effect in the chain by simply rearranging the order of the names at the bottom of the window, or opt for one of the many preset sounds included in the menu.

Within minutes of turning on Phat FX we found ourselves smiling broadly and enjoying the creative playground that will be a regular feature in all our mixes from now on. Alongside the considerable new features listed above Logic also comes with a host of other additions.

These includes a vintage mellotron module, upgrades to Space Designer, Alchemy and Direction Mixer, new drummers, studio quality brass and string samples, plus new controls for articulation handling. For more general advice about suitable hardware, see our guide to the Best Mac for musicians. Import, play and control different tracks on all performance.

It is, in all, the best environment for the recording, editing, and mixing of music. The latest Logic version ever is Logic Pro X. Logic Pro X free offers a range of powerful, easy-to-use features that provide sophisticated tools to create unbelievable, immersive music that will impress everybody.

You can start from several plug-ins and create virtual sessions using various instruments, sounds, strings, voice effects, and bass lines, etc.

Microsoft powerpoint for mac. Drummer now outputs sound when the Vintage Brushes kit is set to play only from the percussion section in the Drummer Editor. Fixes an issue where clearing all Pads in an instance of Drum Machine Designer could clear plug-ins from shared Auxes associated with the Drum Machine Designer instance.

Saving a patch based on a new instance of Drum Machine Designer on a track with a custom track name now uses the track name by default. Loops placed on the main track of a multi-out Drum Machine Designer track stack now play in sync. Drum Machine Designer sub-tracks can now be sorted. Subtracks for instances of Drum Machine Designer now reliably show icons when the toggling the stack in the Mixer.

The Fill Lock setting is now preserved when a Drummer region is copied. Takes and comping Using Quick Swipe comping from right to left to close a gap between comp segments in a Take no longer causes the entire Take to be unexpectedly be selected in the comp. The Audio File Editor now displays automatically generated Take names as expected.

Fixes an issue in which Comps in Take Folders could still be edited on tracks with Track Protect enabled. Fixes an issue where editing Quick Swipe Comping in an audio Take folder could reset fade lengths. It is now possible to split multiple selected takes in a disclosed Take folder at the same time. Splitting or copying Take regions that have been renamed now appends a number to the name of the new segment. Click Title for torrent Logic Pro X Sophisticated tools for professional songwriting, editing, logic pro x This book is a comprehensive introduction to professional logic pro x It uses real-world music and hands-on exercises to teach you how to record, edit, arrange, mix, produce, and polish audio and MIDI files in a professional workflow.

We assure you it is not as hard as it sounds. The application comes packed with a variety of features necessary for professional use. It ranges from software instruments, audio effects to recording facilities. Unfortunately, despite its brilliance the app is only available on iOS devices.

That does not bode well for Windows users. While logic pro x As we logic pro x For that you need to take the route of a virtual machine. Here is what you need to do:.

So to ensure smooth running of the app, it would be better to check whether your device meets the following requirements. It carries great features which are beneficial for beginners as well as professionals. Supports all existing EXS24 instruments. Quick Sampler Import a single audio file to instantly build a playable sampled instrument. Quick Sampler automatically identifies the root note, optimal loop points, and trims silence from an imported sample. Use Slice mode to chop a vocal or drum sample into multiple slices that can be triggered on a keyboard.

Record live samples using a microphone, external hardware, or from any track or bus. Directly access Quick Sampler or Drum Synth controls on any pad. Easily assign any instrument or third-party plug-in to a pad. Perform any sound chromatically to create bass lines or other melodic parts.

Step Sequencer Build your own beats, melodies and effects automation using an interface inspired by classic drum machine workflows. Create and edit patterns with discrete control over velocity, repeat, chance, offset, step rate, skip and tie for each row. Use any patch as a sound source, including custom kits made with Quick Sampler and Drum Machine Designer. Includes a library of over rhythmic and melodic patterns. More content Over 2, new loops in a variety of instruments and genres covering modern and classic hip-hop, electro house, reggaeton, future bass, techno, and transition effects.

More than 70 new Drum Machine Designer kits. Over 1, new patches. Original multi-track project of Billie Eilish’s “Ocean Eyes. Individual or multiple audio files or software instrument regions can be dragged into an empty track header to provide instant options for creating Sampler, Quick Sampler, Drum Machine Designer, or Alchemy instruments.

Name labels can now be displayed on notes in the Piano Roll editor. The Modulator plug-in now offers a new control for the waveform phase value in the extended parameters. The maximum number of Mix Groups has been increased to There is a new command “Hide all but selected tracks. Impulse Response Utility now supports Dark Mode. There is now a menu item and a Key Command to select frozen tracks.

Project and Track Notes now support hyperlinks for internal actions, such as Key Commands. The Pan Law setting now allows for There are new commands to Slip and Rotate content in regions. Dragging a region below the last track in the Track List now creates a new track with duplicate settings. There is now a setting to auto-colorize markers. There is now a key command to bypass all plug-ins on selected channel strips. Option-clicking the disclosure triangle of a Take folder now sets all Take folders on the same track to the same state.

Stability and reliability Logic no longer quits unexpectedly: When creating a MIDI track from a Flex Pitched region, if there are no notes within the region. When loading an Alchemy preset in which the loop end point has been set later than the end of the sample. When analyzing audio for Flex editing When the On button in the additive tab of the A source in Alchemy is clicked in certain presets.

When an AUv3 plug-in that supports side-chaining is present, but has no side-chain connection yet defined. When performing tempo analysis on an Apple Lossless file at kHz sample rate. When the right border of a regions is adjusted rapidly while the Score is open in Page view. At launch after an erase install of macOS When importing a sample into Alchemy after adding a new Group. When the Create button is clicked in the New Tracks dialog.

When the Gain is changed in the Audio File Editor. Occasionally when a project is opened without closing the current project. Occasionally when a sequencer mod source is loaded into Alchemy, playback in Logic is started and then Sequencer 1 is selected as the mod source from the source Transpose button. Occasionally when left sitting idle. Occasionally when dragging one audio region over another. Occasionally when installing items using the Sound Library Manager. When a Marquee selection within a folder is copied.

Occasionally when loading a project that contains an Aux that has a send that routes to itself. Occasionally after moving a window from an iPad Pro back to Logic when using Sidecar. Logic no longer experiences occasional hangs when saving a project after adding notes to in the Score to a region on an external MIDI track.

Logic no longer hangs when selecting the Untagged Loops tab in the Loop Browser in certain projects. Fixes an issue where Logic occasionally quits with certain plug-ins. Performance Creating notes in the Score is no longer sluggish on systems using a high-density display. Scrolling of plug-in parameters in Controls view using a mouse wheel is now smoother. Performance when dragging regions in projects that contain a large number of small regions is improved.

Playback and recording no longer stop unexpectedly when a content package is finished downloading. Performance when importing assets from the All Files browser in large projects is improved. Adjusting values by scrubbing with the mouse is no longer sluggish when an Event List Editor window is open. Dragging files into Logic via the Finder no longer interrupts playback.

Audio Units scans are now much faster. Performance in the Mixer is improved when switching between projects. Fixes an issue where Logic occasionally becomes sluggish after recalling multiple screen sets. Fixes an issue where automation of plug-in parameters in projects with a high sample rates could cause clicks, pops or other audio anomalies.

Alchemy patches that use Spectral effects now consume less CPU when on the live track. Start-up time at launch has been improved. Improves responsiveness of editing in the Tracks area when the Project Audio window is also open.

Accessibility VoiceOver now properly announces the first column in the Loop Browser. VoiceOver now announces the state of the Direct Monitoring button in the Mixer.

VoiceOver no longer announces disclosure triangles in Inspectors as button. VoiceOver now positions plug-ins in the correct slots when inserting more than three plug-ins consecutively. The Part box in the Score is now accessible with VoiceOver. VoiceOver now announces the note position and pitch in linear view in the Score. The pop-up menu for creating a Software instrument no longer requires a mouse click interaction with VoiceOver.

Fixes an issue where channel strips sometimes remain unexpectedly selected when navigating the Mixer using VoiceOver. VoiceOver now speaks the track name when using the up and down arrows to navigate the track list. Favoriting an Apple Loop no longer causes the focus to unexpectedly jump to a different loop when using VoiceOver.

Mixer Option-clicking the Group slot on a channel strip now selects all other channel strips that are members of the same group. Right- or Control-clicking a group slot now opens a contextual menu with group settings. Enabling editing for a Group in which a member contains a selected region now immediately selects all other relevant regions on other members of the Group. It is now possible to store a user default mixer configuration by right-clicking a channel strip.

Notes and track numbers now immediately reflect changes made to the track color. The External Instrument plug-in now opens immediately when inserted when the “Open plug-in window on insertion” preference is enabled. Software Instrument plug-ins no longer open when inserted if the “Open plug-in window on insertion” preference is not enabled.

Changes to Drum Machine Designer channel strip icons are now immediately visible on Mixer channel strips. Changing a track icon in the Track list now also immediately changes it in the Mixer.

Dragging all tracks out of a summing stack now reroutes their outputs to the main output pair. Long names for Groups now display as expected in the Mixer. It is now possible to create an Aux by right- or control-clicking the name label of a channel strip in the Channel Strip Inspector.

Opening a track stack in the Mixer is now instantaneous. The Mixer now immediately updates when tracks are hidden or unhidden. The Settings button is now available on Output and Master channels in projects that include Surround channels.

It is now possible to see the presets for a plug-in in the Sound Library by Shift-clicking it. Shift-clicking to add Mixer channels to the selection now works reliably. The Mixer now consistently updates displayed channel strips when Filter buttons are enabled to change the view. Fixes an issue where the click zone to control Stereo Pan is unexpectedly small.

There are now commands to remove all plug-ins, all bypassed plug-ins, all empty insert slots or all sends from selected channel strips. The Mixer no longer shows device controls when using audio devices that do not support direct control from within the Logic Mixer. Typing a hyphen with a space before and after now forces a line break in a Channel Strip name. VCA slots now immediately appear on channel strips when creating a new VCA from the contextual menu by Ctrl- or right-clicking on a channel strip.

The volume display indicator now displays as expected on Folder Stack faders in the Inspector. Changes to Channel Strip text labels are now retained when clicking outside the label to exit editing. All buttons and controls on the Mixer now remain visible when after changing Screensets.

Frozen stereo Software Instrument in Pre-Fader mode tracks no longer play back in mono. Creating a Software Instrument track, dragging it to the top of the Track List and then selecting a patch no longer sometimes causes an audio track at the bottom of track list to convert to a Software Instrument track and load the patch.

The Freeze cursor now displays when hovering the cursor over Mixer plug-in slots on a frozen track. The cursor now displays properly when adjusting Send, Pan or Volume on the mixer when another window has focus.

It is now possible to type in values that include a period. It is no longer possible to add plug-ins to or change Software Instruments on frozen tracks. On a Mixer configured to hide Pan controls, toggling Read mode on a channel no longer causes the Pan control to show up unexpectedly. Groups created while the Groups Active checkbox is turned off now work as expected when the “Groups Active checkbox is turned back on.

Adding and then removing a second instance of the Scripter plug-in on a channel strip no longer leaves a graphic remnant of the second instance. Touch automation now properly records the release of a fader in Sends on Fader mode. The track numbers for channel strips in the Mixer now correctly correspond to the numbers in the Track List.

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